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Short notes on the artist and his work |
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| ROLAND DELISLE | ||
| Born in 1920 in Kipawa, in the Témiscamingue region | ||
| STUDIES | ||
| 1948 | Diploma from the École du Meuble, Montréal | |
| 1945-48 | Drawing and painting classes with Paul-Émile Borduas, Montreal | |
| 1944 | Bachelor of Arts, Université de Montréal | |
| ONE-MAN SHOW | ||
| 1994 | Centre culturel Louis-St-Laurent, Lorraine | |
| GROUP EXHIBITIONS | ||
| 2001 | Maison des arts, Laval | |
| 2000 | Maison Garth, city hall of Lorraine | |
| 1998 | Centre sportif, St-Sauveur des Monts | |
| Galerie des Arts, Terrebonne | ||
| Maison des arts, Laval | ||
| 1995 | Maison des arts, Laval | |
| Belgo Building, Montreal | ||
| COLLECTIONS | ||
| Roland Delisle's sculptures are part of several private and public collections in Quebec. | ||
| A FEW WORDS ABOUT THE ARTIST'S BACKGROUND | ||
| An arts graduate from the Universit de Montréal, Roland Delisle benefited from the teaching of Paul-Émile Borduas, at the École du Meuble. He later lectured at the Collège du Vieux-Montréal, in the Interior Design Department. He is also a life member of the Quebec Interior Designers Association. He now devotes all his energies to sculpturing. | ||
| ... AND HIS SCULPTURES | ||
| Roland Delisle makes his castings using the low-wax process, a technique that
enables him to carve in the material abstract formes usually slender and
upright, where the organic impulses of arabesques vigorously alternate with
the delicate geometry of the shapes.
You may perceive in one of the artist's sculptures the shape of a head, in another one a sunken eye, and in a third one the elegance of the aerial curves of a winged creature: it is nonetheless the pure combination of formes that instils the dynamics in each one of them. That is the way Roland Delisle understands and applies the secret of artistic power. Alternating between low and high-relief, those art pieces also show surfaces with subtle colours. The patinas, reflecting the delicacy of his technique, display alternatively the beauty of oxidized green, dark loam or warm black. They also have various textures : cavities, stripes, wales, spots , etc.... Dull areas stand in contrast with polished surfaces, showing exposed bronze. Irregular cavities, denticulations, round or lanceolate reliefs, those spots of luminous bronze are as many elements that, in alternance with dull faces, contribute to the dynamics that adds to the formal intelligence of the sculptures. (adapted from a text by Bernard Paquet) |
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